Showing posts with label artist profile. Show all posts
Showing posts with label artist profile. Show all posts

Tuesday, April 1, 2008

April Artist Profile: Michelle Nagai

Brooklyn, NY composer, artist, and mother Michelle Nagai (forefront) is the focus of this month's Artist Profile. Michelle's most recent installation, Imagescape:Soundscape:Landscape, created in collaboration with Ursula Scherrer, was performed in March at the New Genre XV Festival.

What do you like to make?


Michelle Nagai: Sounds, performances with my body, images, environments, experiences, openings for actions.

Who/what/where currently inspire/s your work?

MN: Space – listening and perceiving. My collaborator, video artist Ursula Scherrer. My child. The desire to find expansiveness, or freedom from the material struggles of human being-ness. Mongolia, Tibet, Nepal – high mountains, yaks, snow, quiet, solitude. The idea of Being and Not Being as opposite ends of a road, along which I can travel in two directions, and on many planes.

What theme/s occupy your work?


MN: OK, well certainly perception. And death, or near-death-ness. Our attachment to ideas, or people or things, and what happens when we let go of those attachments. Site specificity, as in work that is connected to the environment in which it exists.

What are you listening to/watching/reading lately?


MN: Toting around a book on biology and mechanics – Cat’s Paw’s and Catapults, by Steven Vogel. Not sure if I will get through it right now though. Been watching some Yuri Norstein movies on YouTube. Especially loving Hedgehog in the Fog. So lovely.

Do you keep a journal/sketchbook/blog?


MN: Yep.

What have you learned from your work?


MN: Er….not sure I can answer that right now. Perhaps later in the month I’ll have more thoughts. It’s hard to say. Probably a lot of technical and practical stuff. Also some other “deepy” stuff that I just can’t get my head around right now while I’m thinking about it.

Who is and what question would you ask of the artist who has most inspired you?

MN: Gosh. This is a tough one. I am so cranky tonight it’s hard to imagine being inspired by anyone. Lots of living artists have inspired me and encouraged me and been dear friends (and continue to be) but this question sort of suggests an artist who is no longer with us on this plane. One of my college teachers, my pal Tony Carruthers, has been a big inspiration to me. He was a video artist and I used to also clean his house, so our friendship was centered mostly around dusting and vacuuming and coffee. He died a few years ago of a heart attack, on an Amtrak train somewhere just outside Penn Station. I would like to ask him what he felt in the moment when he knew was going to die? Was he sad? Was he scared? Did he know he was going to die? Of anyone I know, I think he would have some great stories to tell about that moment and would be very happy to talk about it. We shared much in the way of thematic interests. So I’d like to interview him about his death.

Michelle's Work:


Image taken from Untitled Sit: Snow Is Falling Quietly. Courtesy of Michelle Nagai.


Image taken from Untitled Sit: Snow Is Falling Quietly. Courtesy of Michelle Nagai.


Image taken from Imagescape:Soundscape:Landscape. Courtesy of Ursula Scherrer and Michelle Nagai.


Image taken from Imagescape:Soundscape:Landscape. Courtesy of Ursula Scherrer and Michelle Nagai.


Image taken from Imagescape:Soundscape:Landscape. Courtesy of Ursula Scherrer and Michelle Nagai.

Saturday, March 1, 2008

March Artist Profile: Kathryn Boehm

For March's Artist Profile, I talked with North Carolina artist Kathryn Boehm about her latest work and what inspires her.


What do you like to make?

Kathryn Boehm: I create non-representational, abstract work. The work has become more mixed media over the years: oil paint, oil stick, cold wax, acrylic skins and digital capture images. I have this new idea of printing photographs of grapefruit skins, then drawing and painting on top of the print.


Who/what/where currently inspire/s your work?


KB: Last summer I reconnected with my love for unusual objects, grapefruit skins and orange construction fencing, seed pods and dead clematis vine. I have also been collecting ragged ribbon. These objects are a source of excitement for my mind and eyes. The vine and seedpods are different lines and shapes occurring in nature. I'm collecting these materials and bringing them back into my abstract work as an underlying structure.

Artists: Eva Hesse, Jessica Stockholder, Wolf Kahn, Cornelia Parker

I've also started working with video. There is a woman named Rachel Riley, who does videos of her drawings and she edits them in such a way that they become alive.

www.mediastorm.com

www.bittbox.com

www.ovationtv.com


What theme/s occupy your work?


KB: Organic forms. Color—exploring a certain palette.

A few of the last paintings I did had a unintentional claustrophobic feel, like they were crowed, anxious.


What are you listening to/watching/reading lately?


KB: I started listening to this podcast by DJ Angelica. It is sort of a dub mix. I'm also really into Indian-fusion jazz inspired by Ravi Shankar. Love Bjork.

I'm studying Chinese/Japanese ink paintings and Buddhism. It is definitely on my mind.


Do you keep a journal/sketchbook/blog/website?


KB: I am working on a website. Journaling/Sketching is an on and off discipline. I am not really disciplined about it.


What have you learned from your work?


KB: I've learned that the three dimensional objects are important in the inspirational aspect of work. And while I want to do non-representational work, it's not all or nothing, finding a middle-ground is where the magic is going to happen. And as much control as I've given up for the abstract work, I still have a long way to go. I think my work as a whole is dependent upon to what degree I can give up control.


Who is and what question would you ask of the artist who has most inspired you?


KB: Georgia O'Keeffe, because she had such a unique vision, and she was one of few women within the boys club of the early 20th century art scene. I would like to know if devoting her life to creating art was enough of an outlet for her nurturing womb being (sensibility innately and biologically shared by all women)? Or, did she have some regrets about not having children?


A sampling of recent work by Kathryn Boehm:





A view of Kathryn's Studio:

(All photographs are copyrighted and used here with the permission of Kathryn Boehm. For more information about obtaining reprints, please contact Kathryn Boehm.)

Please visit www.artyear.blogspot.com on April 1st for another artist profile!